Amy Yeung, soprano, Professor of Music, teaches applied voice, lyric diction, aural skills, directs lyric opera theatre, and is a recipient of the university’s Coffey Outstanding Teacher Award. A native of Hong Kong, Yeung has performed extensively in recitals and concerts on three continents, including Taiwan, Malaysia, Korea, Hong Kong, United States, Germany, Bulgaria, Croatia, and Austria. She is particularly active in recitals of art songs, especially by women composers. Her debut art song CD, released by Centaur Records, was supported by the Tennessee Arts Commission’s Individual Artist Fellowship in Music. She won the Harold Heiberg Liedersänger Prize for outstanding interpretation of art songs in Graz, Austria.

Yeung has performed in oratorios as a soloist in Mozart's Coronation Mass in C, Handel's Messiah, Haydn's Te Deum, Mendelssohn's Christus, Rutter's Magnificat, and Faure's Requiem. She has also performed in operas: Humperdink's Hansel and Gretel, Cimarosa's Il Matrimonio Sergeto, Menotti's Amahl and the Night Visitors, Puccini's Turandot, Lehár's The Merry Widow, and Nelson's A Room with a View. Her stage directing credits include Menotti’s The Medium, The Old Maid and The Thief, and The Telephone, Mozart’s Bastien and Bastienne, Gilbert and Sullivan’s Trial by Jury, Puccini’s Gianni Schicchi, and Humperdink's Hansel and Gretel.

Yeung is an active member of the National Association of Teachers of Singing (NATS), and has served the organization in various capacities since 2008. Besides NATS, she is also a member of Phi Kappa Phi (an honor society) and the International Alliance for Women in Music.